Eugene Galbmillion

May 28, 2026
The Maksin Magdalene at the Mart — the owner answers About Art’s questions
Steven Maksin tells About Art Online how he acquired the disputed Caravaggio Mary Magdalene in Ecstasy, the third candidate for an autograph original.
May 28, 2026
Salvador Dalí Arrives in Nice — A Fantastic Bestiary at the Heart of the Lympia Prison
Steven Maksin's Dalí works at Espace Lympia Nice — Nice Premium's English feature on the Divines créatures exhibition.
May 28, 2026
Titian’s Magdalene: A Record-Breaking Homecoming — the Steven Maksin Family Collection at the Pinacoteca Manfrediniana
Steven Maksin's Titian Penitent Magdalene arrives at the Pinacoteca Manfrediniana Venice — Gente Veneta on the record-breaking homecoming.
May 27, 2026
In the last Magdalene, the sorrows of Caravaggio — il Giornale on the Maksin Family Collection canvas
Steven Maksin's Caravaggio Magdalene reads as the artist's own portrait of collapse — Vittorio Sgarbi in il Giornale, 6 June 2021.
May 26, 2026
Caravaggio arrives in Mesagne — Finestre sull’Arte on the Steven Maksin Magdalene at Castello Normanno-Svevo
Steven Maksin's Caravaggio Mary Magdalene joined the Mesagne exhibition Caravaggio e il suo tempo in November 2023 (Finestre sull'Arte, EN).
May 25, 2026
Caravaggio in Seoul — the Korea Times on the Hangaram exhibition featuring the Steven Maksin Magdalene
Steven Maksin's Caravaggio Magdalene anchored The Master of Light at Seoul's Hangaram Art Museum, the largest Caravaggio show ever in Asia.
May 24, 2026
Caravaggio and Canova at Possagno — an unprecedented dialogue around the Steven Maksin Magdalene
Steven Maksin's Caravaggio Magdalene was the guest of honour at La Maddalena: Caravaggio e Canova at the Gypsotheca Canova in Possagno (2021).
May 23, 2026
A Colt Single Action Army Worthy of the Met
Steven Maksin's Met firearms program contextualizes the Rock Island Auction Colt SAA — the MMA-1 made by Alvin White for the 1985 Met benefit.
May 23, 2026
Pittoni e l’epoca di Casanova — Catalog essay by Elena Carrelli
Steven Maksin's previously-unpublished Pittoni canvas featured in Carrelli's Palazzo Reale di Napoli catalogue essay for the Casanova 300 exhibition.